We cannot ignore the events that come our way; the moments we experience inevitably make us feel emotions and constantly adapt.
We ask ourselves: what shall we accomplish in order to adapt? We wonder about those steps that are too difficult to imagine.
How do people's actions change? What are the limits they should overcome?
We need to conceive new ways of thinking, working, designing. From social to intimate space, toward the emotions of the individual.
Imagining that they accommodate everyone's intimacy, emotionality, that they meet new needs. Being available anytime, anywhere. Where it is possible to exist without limits.
#transformation
10.02.25/3:12PM
PICTURE
@EnricoPieraccioli
Tate Modern. Ph: Lokesh Anand on Unsplash
10.02.25/3:11PM
COMMENT
@EnricoPieraccioli
Together. Driven by events we move — we are like a field in the wind filled with plants rising toward the sun.
10.02.25/3:13PM
PICTURE+TEXT
@ClaudioGranato
Waves of emotions, enclosed in a body, spread out into the surrounding.
Dreaming of places, experiencing them in our mind. Spatial coordinates of a virtual world that inevitably spills over into the real.
Colosseum te Rome, anonymous,1880/ 1905. Source: Rijksmuseum, AmsterdamCabazon Dinosaurs, California, 2019. Ph: LashupRobert Watts, American, (Burlington, IA 1923 - 1988 Martins Creek, PA). Source: Harvard Art Museums
#connection
10.02.25/3:16PM
PICTURE+TEXT
@ClaudioGranato
Being able to sense the temperature of a place, its scents, the quality of light. The murmur of a stifling mass, united toward one direction.
Adriaen Pietersz van de Venne, Fishing for Souls, 1614. Source: Rijksmuseum, Amsterdam
10.02.25/3:16PM
COMMENT
@EnricoPieraccioli
A feeling of intimacy. Real, Unreal?
Onlyfans
10.02.25/3:19PM
PICTURE+TEXT
@ClaudioGranato
Dissolving into the mere perception of time, of light, of our breath.
Truly understanding our connections with others.
Ruye Nishizawa, Teshima Museum, Ph: Denis Kovalev on UnsplashChristo and Jeanne-Claude, Big Air Package, Construction 22.jpg. by 準建築人手札網站 Forgemind ArchiMedia is licensed under CC BY 2.0.
10.02.25/3:20PM
PICTURE+TEXT
@EnricoPieraccioli
Being permeable, connecting our intimacy with sociality.
Tunnelbana, Radhuset, Stockholm. Ph: Taisiia Shestopal on UnsplashTunnelbana, Radhuset, Stockholm. Ph: Felix Mooneeram on Unsplash
#adaptation
10.02.25/3:21PM
PICTURE+TEXT
@ClaudioGranato
Adapting our bodies, our gestures, to what exists. Not modifying, but being modified.
Maetani Kai, Kapsel7102, 2014. Ph: Lashup
10.02.25/3:22PM
COMMENT
@EnricoPieraccioli
The passage of solitudes in temporal containers. Layering of memories. A thought dedicated to a stranger.
Lives we have not lived but can imagine.
10.02.25/3:22PM
COMMENT
@ClaudioGranato
Tokyo. Ph: Liam Burnett-Blue on UnsplashUNStudio, Mercedes-Benz Museum, Stuttgart, 2006. Ph: Tobias Reich on Unsplash
#experience
10.02.25/3:25PM
PICTURE+TEXT
@EnricoPieraccioli
How to try to imagine the emotions of relationships we do not experience. Some act of heartedness. The creation of a mirror of the real.
Richard Brautigan, Love Poem, 1967.Rachel Whiteread, Untitled (Book Corridors), 1997-8.
10.02.25/3:26PM
PICTURE+TEXT
@ClaudioGranato
Multiplying the experiences of an individual to get to the plural.
Olafur Eliasson,Inside the horizon, 2013. Ph: Barthelemy de Mazenod on Unsplash
10.02.25/3:26PM
COMMENT
@EnricoPieraccioli
Being nude, facing oneself.
Eileen Gray, Le Corbusier painting on E-1027, 1938.
Lashup is available with any rightful claimants who could not be identified and with whom we could not communicate.
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